| Intro | Comic artist |
| A.K.A. | Jack Harmon |
| Was |
Artist Cartoonist Comics artist Penciller |
| From | United States of America |
| Type |
Arts Humor |
| Gender | male |
| Birth | 5 June 1905 |
| Death |
1 February 1987, United States (aged 81 years) |
Wayne Boring (June 5, 1905 – February 20, 1987) was an American comic book artist best known for his work on Superman from the late 1940s to 1950s. He occasionally used the pseudonym Jack Harmon.
Biography
Early life and career
Boring attended the Minnesota School of Art and the Chicago Art Institute. In 1937, he began “ghosting” (drawing for hire without credit) on such comic-book features as Slam Bradley and Doctor Occult for the Jerry Siegel-Joe Shuster studio. In 1938, Siegel and Shuster’s character Superman was published in Action Comics #1, for the DC Comics predecessor National Allied Publications, and Boring became a ghost on the soon spun off Superman comic strip, eventually becoming the credited artist.
Superman comic books
In 1942, the by-then-named National Comics hired Boring as a staff artist, teaming him as penciler the following year with inker Stan Kaye. The two would work together for nearly 20 years. In 1948, following Siegel and Shuster’s departure from the company over a Superman rights lawsuit, Mort Weisinger, new editor of the Superman line, brought in Boring as well as Al Plastino and Curt Swan. During this mid-1940s period, he often signed his work for rival Novelty Press’ Blue Bolt Comics as Jack Harmon.
Boring’s “Superman Covers Atom Bomb Test!” cover for Action Comics #101 (Oct. 1946) was an early example of nuclear weapons in popular culture. A more detailed origin story for Superman by Boring and writer Bill Finger was presented in Superman #53 (July 1948) to mark the character’s tenth anniversary. Boring co-created the Fortress of Solitude in Action Comics #241 (June 1958) with writer Jerry Coleman and Bizarro World in Action Comics #263 (April 1960) with Otto Binder.
Boring was the primary Superman comic-book penciller through the 1950s. Swan succeeded him the following decade, though Boring returned for sporadic guest appearances in the early 1960s and then again in late 1966 and early 1967. As one critic wrote of Boring’s 1950s Superman art, “Comics legend Wayne Boring played a major role in visually defining the most well known super-hero in the world during the peak of Superman’s popularity. Another writer echoed, “Boring’s bravura brushwork defined many of its key elements and made Superman look more powerful and imposing, now standing a heroic nine heads tall, and brought a fresh realism, a sleek sci-fi vision and a greater seriousness of tone.
Boring was let go from DC in 1967, along with other artists from the 1930s and 1940s, a period fans and historians call the Golden Age of comic books. From 1968 to 1972, Boring ghosted backgrounds for Hal Foster’s Prince Valiant Sunday comic strip, and took over the art on writer Sam Leff’s 1961–71 United Feature Syndicate strip Davy Jones. Afterward, Boring did a small amount of work on Marvel Comics’ Captain Marvel, then left the field to semi-retire as a bank security guard, though he would continue to draw commissioned work. He briefly returned to DC to pencil some stories in All-Star Squadron Annual #3 (1984), Superman #402 (Dec. 1984), and Action Comics #561 and 572 (Nov. 1984 and Oct. 1985). In 1985, DC Comics named Boring as one of the honorees in the company’s 50th anniversary publication Fifty Who Made DC Great.
Boring died of a heart attack, following a brief comeback announced in one of his last published works, penciling a Golden Age Superman story written by Roy Thomas and inked by Jerry Ordway in Secret Origins #1 (April 1986). His final work was All-Star Squadron #64 (Dec. 1986) a recreation of Superman #19. He was posthumously inducted into the Will Eisner Hall of Fame in 2007.